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Fading Cloth

Artist
El Anatsui, Ghanaian, born 1944
Date
2005
probably made in
Nigeria, Africa
Classification
Mixed media
Current Location
On View, Taylor Hall
Dimensions
dimensions variable according to installation: 126 in. x 21 ft. (320 x 640 cm)
Credit Line
Museum Minority Artists Purchase Fund, funds given by the Third Wednesday Group, Director's Discretionary Fund, and funds given by the Saint Louis Art Museum Docent Class of 2006 in honor of Stephanie Sigala
Rights
© El Anatsui, Courtesy of the artist and Jack Shainman Gallery, New York
Object Number
10:2007
NOTES
Hues of gold, red, yellow, and silver shimmer across the undulating surface of Fading Cloth. Although it looks like a textile, the work is actually made from discarded liquor bottle tops, flattened and stitched together with copper wire. By repurposing metal caps, El Anatsui transformed the mundane into something visually mesmerizing. Anatsui’s materials allude to a devastating legacy: For centuries, European traders exchanged textiles and liquor in West Africa for gold and enslaved people. Fading Cloth weaves together a range of political, historical, and visual references to this region significant to the artist, who was born in Ghana and lives in Nigeria.
2005 - 2007
October Gallery, London, England, representing the artist [1]

2007 -
Saint Louis Art Museum, purchased from October Gallery [2]

Notes:
[1] Elisabeth Lalouschek of the October Gallery confirmed in an e-mail dated January 20, 2007 to Associate Curator Robin Clark that the piece came to the October Gallery directly from the artist in 2005 [SLAM document file].

[2] Invoice dated February 14, 2007 [SLAM document file] and Minutes of the Collections Committee of the Board of Trustees, February 15, 2007.