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Danaë

Artist
Artemisia Gentileschi, Italian, 1593–c.1656
Date
c.1612
Material
Oil on copper
made in
Italy, Europe
Classification
Paintings
Current Location
Not on view
Dimensions
16 1/4 × 20 3/4 in. (41.3 × 52.7 cm)
framed: 26 1/16 in. × 30 1/16 in. × 4 in. (66.2 × 76.4 × 10.2 cm)
Credit Line
Museum Purchase and gift of Edward Mallinckrodt, Sydney M. Shoenberg Sr., Horace Morison, Mrs. Florence E. Bing, Morton D. May in honor of Perry T. Rathbone, Mrs. James Lee Johnson Jr., Oscar Johnson, Fredonia J. Moss, Mrs. Arthur Drefs, Mrs. W. Welles Hoyt, J. Lionberger Davis, Jacob M. Heimann, Virginia Linn Bullock in memory of her husband, George Benbow Bullock, C. Wickham Moore, Mrs. Lyda D'Oench Turley and Miss Elizabeth F. D'Oench, and J. Harold Pettus, and bequests of Mr. Alfred Keller and Cora E. Ludwig, by exchange
Rights
Contact Us
Object Number
93:1986
NOTES
Artemisia Gentileschi excelled at capturing textures, as seen in this reclining figure’s golden hair, the lush fabrics, and metal coins that fall on bare flesh. Such sensuous effects are appropriate for the ancient Greek story of Danaë, a young woman whose father confined her to prevent her from becoming pregnant. An oracle had predicted she would bear a son who would kill her own father. Zeus, king of the gods, was able to thwart the plan by transforming himself into a golden rain, which allowed him to enter the enclosed chamber where Danaë was held captive. After returning to his god-like form, he impregnated Danaë. Painted when Gentileschi was only 19 years old, this picture reflects the skills she learned from her father, Orazio, to paint subtle flesh tones and rich surfaces.
- 1986
Private Collection

1986/02/22 -
Kate Ganz, Ltd., purchased at auction, Sotheby's, Monte Carlo, Monaco, February 22, 1986, lot no. 243 [1]

1986
Morton Morris & Company Ltd., London, England

1986 -
Saint Louis Art Museum, purchased from Morton Morris & Company Ltd. [2]


Notes:
[1] According to the 1999 catalogue raisonné, Kate Ganz, Ltd. purchased the painting at auction in 1986 as a work by Orazio Gentileschi [Bissell, R. Ward. "Artemisia Gentileschi and the authority of art: critical reading and catalogue raisonné." University Park, PA: Pennsylvania State University Press, 1999, p. 310].

[2] An Invoice from Morton Morris & Company dated August 1, 1986, lists Orazio Gentileschi as the author of the painting [SLAM document files]. Minutes of the Acquisitions and Loans Committee of the Board of Trustees, Saint Louis Art Museum, August 1, 1986.